I just really like red plumes.
I painted this when I first got masking fluid. I’m still trying to learn how to use it. And putting riders on horses is startlingly difficult. Perhaps because I think I know what it looks like, but the eye and the brain don’t actually communicate as well as I think.
I am trying to push myself to explore composition more and think creatively.
What? Think creatively? In a painting? I know.
i did really enjoy manipulating the masking fluid and brush flicks for the flagging tail. I think there must be Arabian lines in this horse 😉
I’ve always liked Arabians–not just because they are spectacularly gorgeous, but also the legends around them, their endurance, and of course their loyalty. Marguerite Henry’s King of the Wind was also, definitely, instrumental.
Actually, I learned a lot from that book. I read it repeatedly, and the details of how Agaba treated Sham, the care he took to groom and saddle for the comfort of the horse, has definitely influenced how I treat horses. I try to always be kind and respectful when handling a horse. When you do that, they take it much better when you correct them for not being kind and respectful.
This is actually a character from my novel. If you read The River Rebellion on zarecaspian.com you’d know him, Trinh Kegan. His armor should be golden, but artistic liberty dictated bloodstone for this piece.
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