Pet Portraits for Christmas

I can’t believe it’s November. 2022 is nearly over. It was a pretty good year for me in a lot of ways. BUT, this post isn’t about that. This post is about Christmas gifts, because it’s that time of year AGAIN. ALREADY. WHAT.

I wanted to do something I’ve never done before, and that’s offer $25 mini portraits. These are wallet sized pet portraits, done in watercolors, inktense, and brushpen, and shipped straight to you at no additional charge.

The minis are a lot of fun, and I prefer doing fun things with them.

How does it work?

  • Place an order in my Etsy shop. You pay when you place your order. Let me know what I’m painting, tell me your pet’s name.
  • I’ll reach out for a good photo, preferably multiple good photos of your pet.
  • I sketch, then send you the initial sketch for feedback. These portraits are small, so are most likely going to be a bust or headshot.
  • I add color to your pet! My portraits usually don’t include a background of any kind, but sometimes a wash.
  • I will ship your original portrait to you, or to your intended recipient if you prefer, in a cellophane sleeve and a stiff card for protection.

To get a good portrait, I need a good photograph to work from–preferably multiple good photographs.

What makes a photo GOOD?

  • Clear, well lit, photos are best.
  • If you want a flattering portrait, send me a flattering photo.
  • If you want a goofy portrait, send me a goofy photo.
  • Multiple photos help me get a feel for the shape and true color of your pet. Maybe you have a great photo of your dog in action, and that’s the one I use for the primary reference–but I have to use one of the other photos to find out what your dog’s eye color actually is.
  • Multiple photos let me choose the one best suited for modeling, but also allow me to supplement for an even better composition.
  • If you keep a social media account for your pet, feel free to send me that.

What kinds of animals do I paint?

Cautiously, any kind! But, most often I paint birds, horses, dogs, and cats.

I make each portrait with a mix of media, primarily the water soluble kind. I combine watercolor, gouache, inktense, and sometimes brush pen, to bring each piece to life. I use a setting spray to protect the work once it’s finished.

Anyhow, that’s my Christmas experiment. Pet Portrait Minis! Be sure to check out my Etsy Shop and order yours!

The Coffee Cup Critters aka the “Cuppa” Series

I really love drawing animals. When I’m stuck for ideas, I find some reference pictures and draw an animal.

And then…..and then I give them a coffee cup.

I don’t know why.

It just makes me happy.

So, here they are (most of them, anyway). I hope they make you happy too!

If you aren’t a coffee person, think of them as giant, steaming, mugs of tea.

Several of these are up on my Redbubble shop already–the rest are pending! I’m also hoping to get some of them as stickers for sale on my Etsy. But that’s a project I’m *just* beginning. Let me know in the comments which ones you think would be the best stickers.

What animals would you like to see cherishing a nice steaming cuppa?

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The Haunted Dog

It’s been a quiet year at the barn. What with 2020 and all. I mean, it’s a quiet little place to start with, but especially quiet the past 12 month.

But then came the fake goose dog.

I noticed the dog when I drove in. A little black silhouette of a German Shepherd type dog slowly rotated in the gentle breeze at the end of the drive way. Closer examination revealed he was part of a goose deterrent effort, and he was on the way to one of the fields we frequent.

Knowing how distrustful Midas is of changes in his familiar landscape, I decided we’d come see the fake dog in hand before riding. I didn’t think it’d be a big deal, Midas likes dogs. So I tacked up completely and then led him down the driveway.

This isn’t the first time I’ve done that, but Midas saw the dog and was interested immediately. Midas likes dogs…but there was something off about this one. We went up, he warily sniffed it, shifted around, looked at it with the other eye. I made sure to touch it and wobble it so he could see it was safe. He wasn’t thrilled about it, but he was calm, and so I led him back up the driveway to the woodpile to get on.

While I fussed with the girth and stirrups, he looked over his shoulder at the fake dog. Then he looked again, more alarmed. Then he began to snort, and looked again, shifted his feet nervously.

Then I realized what was happening.

The fake dog MOVED every time he looked away.

A horse reaches out  with his nose to sniff a black silhouette of a German Shepherd dog that has been stuck in the early spring grass.
Looks like a dog, but doesn’t smell, move, or have shape like a dog. Not a dog.

This is not normal behavior for inert objects–things he’s confirmed with his own nose are not living.

Without getting on I led him back to the fake dog, telling him it was just cardboard turning in the wind. Midas did a lovely little piaffe the whole way there, and then when we arrived he swung his rear at the fake dog menacingly. He didn’t kick, though, because he’s a hunt horse, and you don’t kick dogs.

I was surprised and delighted to see him trying to scare it away. Midas is the responsible guard horse at the barn. He’s the one who stands watch when everyone else naps. He’s attentive and watchful, and while he likes dogs,

THIS WAS CLEARLY NOT A DOG.

FOUL MACHINATION OF SATAN.

I tried to reason with him, and honestly he was calmest walking in a circle around the haunted dog, but being in sight of it was, overall, NOT OK. The Cardboard Weeping Angel Dog that would surely attack if he blinked.

With a sigh I decided to start my ride in the ring–from the ring we could still catch glimpses of the fake dog, but Midas considers the ring as SAFE, so he’s pretty brave in there. We had a great ride.

I caught him eyeing the dog now and then.

We cooled out outside the ring–and went past the Haunted Dog, giving it a wide berth and goggly eyes so it wouldn’t try anything as we went past.

The next week, the Haunted Dog was still there.

Midas still DID NOT LIKE the Haunted Dog. But then I noticed that there is another Haunted Dog in sight of the pastures. The horses had probably been watching it all week. We still gave it a wide berth, but apparently this was a peaceable Haunted Dog that wasn’t going to eat him.

The Haunted Dogs have been patrolling for geese for weeks now, moving around the yards every couple days, turning in the wind.

We ignore them now.

Mostly.

Midas keeps a casual eye on them in case they’ve just been luring us all into a false sense of security.

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clothes

I really love clothes.

They are SO HARD TO DRAW.

The eyes of an owl? Easy. The drape of…well…anything? Not so much.

Pinterest is my friend and tutor. I scroll through pictures and collect images and cobble together outfts off a selection of reference photos. Most of them aren’t really practical, but I like to imagine the one above is actually quite feasible and also flattering. Imagine linen, a thick elastic fabric, and leather.

I’m finding that often less is more, when putting paint on paper. Which is sort of disappointing sometimes because the very act of putting paint on paper is fun.

This is Zare, the heroine of the stories I write over on ZareCaspian.com. I paint her often. Sometimes it comes out great. Other times it REALLY doesn’t. But it’s all educational.

I used to fashion blog a little, part of me misses it. But not really enough to get back into it. Taking pictures is time consuming. And not looking like a doofus–regardless of what you’re wearing–is also an art form. I am out of practice 😛 But I still like clothes. I like to play around with make up some days–I refer to it as war paint. Because that’s what it is, in many ways.

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Knight with a Red Plume

https://ravenslanding.redbubble.com

I just really like red plumes.

I painted this when I first got masking fluid. I’m still trying to learn how to use it. And putting riders on horses is startlingly difficult. Perhaps because I think I know what it looks like, but the eye and the brain don’t actually communicate as well as I think.

I am trying to push myself to explore composition more and think creatively.

What? Think creatively? In a painting? I know.

i did really enjoy manipulating the masking fluid and brush flicks for the flagging tail. I think there must be Arabian lines in this horse 😉

I’ve always liked Arabians–not just because they are spectacularly gorgeous, but also the legends around them, their endurance, and of course their loyalty. Marguerite Henry’s King of the Wind was also, definitely, instrumental.

Actually, I learned a lot from that book. I read it repeatedly, and the details of how Agaba treated Sham, the care he took to groom and saddle for the comfort of the horse, has definitely influenced how I treat horses. I try to always be kind and respectful when handling a horse. When you do that, they take it much better when you correct them for not being kind and respectful.

This is actually a character from my novel. If you read The River Rebellion on zarecaspian.com you’d know him, Trinh Kegan. His armor should be golden, but artistic liberty dictated bloodstone for this piece.

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